In addition to enhanced control surface device support, a new HSL Secondary section allows users to better isolate specific colors or luma keys, then apply secondary correction to only that area. I didn’t have much luck with smooth full-resolution playback on my iMac Retina 5K Adobe recommends “a well-powered GPU,” but viewing at one-quarter resolution worked much better.Īdobe engineers also aren’t resting on their laurels with last year’s Lumetri Color tools. The most obvious is the ability to properly preview VR media, either by clicking and dragging on the video itself, or using new tilt and pan controls in the Source monitor.

You’ll need a Mac of fairly recent vintage (2012 or later) to feel the difference, which was most noticeable with real-time effects and fewer dropped frames during playback. Performance of a lifetimeĪlong with nimbler editing, Premiere Pro CC offers increased performance as well, thanks to initial support for Apple Metal, the hardware-accelerated API ported from iOS to OS X El Capitan last year. A variety of presets are included, but you can create your own to cover any scenario.

Projects link to these newly-created, lower-resolution files for faster playback and editing, but you can toggle back to full-resolution at any time with a single click for final mastering or export. Premiere Pro CC 2015.4 works in conjunction with Adobe Media Encoder CC to process proxies in the background so editors can get to work right away.

In addition to proxy creation, users can alternately copy media to a new location or transcode to a new format a fourth option first makes a copy of the original media prior to creating proxy files. While this functionality has existed to some degree in earlier versions, the procedure has been streamlined across the board and is now easier than ever.įor starters, editors can create proxies on an individual basis or when media is first ingested, a process that happens automatically in the background with the help ofĪdobe Media Encoder CC, even as you start working with that media in a new project. The most prominent feature this year is a revamped proxy workflow, which allows users to create lower-resolution files that don’t require the additional horsepower of 4K and higher media.

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